JournalStone Publishing proudly announces the release of Joe Ledger: Special Ops, a collection of short stories by Jonathan Maberry on April 25th. To get your very own copy, just click here.
Captain Joe Ledger. Former cop. Former Army Ranger. Currently the top-kick of Echo Team, an elite squad of first-class shooters who roll out to face down the world’s most dangerous terrorists. Not fanatics with explosive vests or political hostage takers. Joe and his team square off against terrorists who have the most advanced and exotic weapons of mass destruction. Designer bioweapons. Cutting edge transgenics. Real mad scientist stuff.
If they have to call Joe Ledger – it’s already hit the fan.
JOE LEDGER: SPECIAL OPS collects several of the Ledger short stories and presents two brand new tales exclusive to this volume. Bonus features include character profiles and a never-before-published glimpse behind the scenes of the Department of Military Sciences.
Join the Hunt!
ARTIFACT – original short story
Joe Ledger goes after an enigmatic device that could hold the key to permanent sustainable energy –or could become the most dangerous weapon on earth.
THE HANDYMAN – original short story
Joe Ledger is naked and unarmed and has to escape a high-security facility armed with whatever he can find. Expect Joe to get cranky.
Borrowed Power, Changeling, Countdown, Deep Dark, Mad Science, Material Witness and Zero Tolerance
Bonus features include character profiles and a never-before-published glimpse behind the scenes of the Department of Military Sciences.
From the Scarlet Galleon website:
Submission Guidelines for DEAD HARVEST
A Collection of Dark Tales
Scarlet Galleon Publications is proud to announce its inaugural horror/dark fiction anthology CALL FOR SUBMISSIONS.
We invite you to submit a story for consideration! Original stories only please. NO reprints, duplicate or simultaneous submissions.
Publication Date: September 23, 2014 (Autumnal Equinox)
Open Period for Submissions: May 1, 2014 – May 31, 2014. Any submissions emailed before or after set call dates will be deleted.
Project Title: DEAD HARVEST – A Collection of Dark Tales
Subject/Theme: Open concept horror/dark fiction stories. 4,000 – 9,000 words. If your story consists of a ’harvest,’ ‘autumnal,’ or ‘agricultural’ theme, great, but it need not be to be consideration.
Manuscript Format: 12 pt Times New Roman; double-spaced; formatted tabs with 0.3 auto indent; extra line between paragraphs; pages numbered; your name/contact information/story title in header of every page.
Submissions must be sent directly to Scarlet Galleon Publications as an email attachment. Any questions or concerns should also be directed to Scarlet Galleon Publications by emailing them directly to:
In your email please include your full name, title of the work you’re submitting, and the final word count of your manuscript.
It is expected that submissions will be fully edited and proofread prior to being sent in for consideration. Submissions with incorrect grammar, misspellings, or formatting issues will be disqualified and therefore excluded from the review process. ALL submissions that are accepted for publication in DEAD HARVEST – A Collection of Dark Tales, will be subject to minor editorial corrections. Any stories needing more than minor edits, but meritorious for their originality and content, will be discussed with the contributor prior to exclusion, however Scarlet Galleon Publications maintains the right to disqualify the entry if the overall editorial process would prove too exhaustive.
Submissions MUST be sent in DOC files; please NO DOCX. If your story is not in DOC format, it will deleted.
If your story is selected for publication, payment will include $25.00 (within 30 days of acceptance, or contract signing) and one (1) print edition of DEAD HARVEST – A Collection of Dark Tales, (within 90 days of publication). Scarlet Galleon Publications will retain first worldwide publication rights for a period of 12 months from the date of publication.
Upon acceptance of your story, a brief biography will be requested, to be included at the end of the anthology. This is not meant to be an exhaustive list of your publications or weblinks, just a short bio to let readers know about the contributors.
Again, kindly submit ALL correspondence dirctly to: email@example.com
PLEASE NOTE: ANY submissions or inquiries sent anywhere other than to the email address provided above will be deleted.
Scarlet Galleon Publications would like to thank you for your interest, and wish each of you luck in writing a story filled with originality and all-out terror.
Now, get those stories written!
JournalStone Publishing announces the release of Issue #27 of Dark Discoveries Magazine on April 30th. If you enjoy the very best in original horror fiction, interviews with the best of today’s horror authors, and news and features on all things horror, then this magazine is for you. Just click here and you’re one step closer to receiving the best horror magazine on the market today. Here is what you’ll get in the latest issue:
Dark Discoveries – Issue #27
Expected ship date of April 30, 2014
All new Fiction by: Douglas Clegg, Brian Evenson, Maurice Broaddus, John R. Little, Bentley Little, Tom Piccirilli
Interviews with: Brian Evenson, Jeffrey Sackett, and Tom Piccirilli
Articles on: The Italian Connection: Crime Films of the 1970s by James R. Beach, Nightmare on Main Street: The Mad Slasher Pulps by Frank M. Robinson & Lawrence Davidson, Hannibal Lecter’s Reign of Terror by Aaron J. French
Jade Sky Comic by: Joe McKinney and Patrick Freivald with artwork from Chris Bell
Columns from Jonathan Maberry, Yvonne Navarro, Richard Dansky, Robert Morrish and so much more!
Table of Contents
Funerary Rites by Douglas Clegg
BearHeart by Brian Evenson
Communication Breakdown by Maurice Broaddus
The Exchange by John R. Little
The Pen by Bentley Little
My Secret is the Faces in My Hands by Tom Piccirilli
Career in Misperception: An Interview with Brian Evenson by Geofreey H. Goodwin
What the Hell Ever Happened to… An Interview with Jeffrey Sackett by Robert Morrish
Meeting the Black: An Interview with Tom Piccirilli by Joel B. Kirkpatrick
The Italian Connection: Crime Films of the 1970s by James R. Beach
Nightmares on Main Street: The Mad Slasher Pulps by Frank M. Robinson & Lawrence Davidson
Hannibal Lecter’s Reign of Terror by Aaron J. French
Genre Crossover: The Alan Wake Game Series by Richard Dansky
Double X Chromosome: Taxes Noir by Yvonne Navarro
Once Upon a Nightmare YA Horror: The Black Dahlia by Amy Shane
Things That Bite: Cryptids (Part 2) by By Jonathan Maberry and David F. Kramer
To Name the Genre by Michael R. Collings
Jade Sky Comic by Joe McKinney and Patrick Freivald – Artwork by Chris Bell
Dark Discoveries is a quarterly (Spring: April 30th, Summer: July 31st, Autumn: October 31st andWinter: January 31st), 8×11/color glossy magazine (100 to 130 pages) that is available in close to 500 stores in the US, Canada and Overseas (U.K., Germany and other countries) — including Barnes & Noble, Chapters, Powell’s Books, Tattered Covers, Borderlands, Things From Another World, Dreamhaven, Mystery & Imagination and Dark Delicacies.
In continuous publication for nearly a decade, the magazine features some of the best content in the Horror/Dark Fantasy/Science Fiction genres, offering in-depth interviews, insightful articles, regular columns, fantastic artwork and outstanding short fiction. Past contributors and topics include: RayBradbury, Richard Matheson, The Twilight Zone, H.R. Giger, William F. Nolan, Ramsey Campbell, EC Comics, Joe R. Lansdale, Dan O’Bannon, Forrest J Ackerman, Graham Masterton, Brian Lumley,George Clayton Johnson, Dark Horse Comics, Brian Keene, Douglas Clegg, Joe Hill, J.K. Potter and many others.
Jennifer Brozek (Editor)
ISBN 978 1770530485
May, 2014; $14.95 PB
Reviewed by Sandra Scholes
Known as the hobo nickel, this coin is handed out for a number of different reasons, for a stay in a strange place, sustenance, love or power over others. These nickels aren’t normal, though, as each person who owns one finds out. They are made by the Carver who has made them and placed inside them his hatred and wish for evil to befall anyone who has the misfortune to own one. In all, there are twenty coins, all 1913 Buffalo nickels made to look as though they are worth nothing. All the coins give each person a different fate as the seventeen short stories will show; a hungry coin with a defaced Indian on the face, or a smiling skull and a skull with snakes crawling out of it.
The Carver shares his stories with us as he wants us to see his intentions for humanity, and before each story, he introduces it with a chance remark about the coins, while at the end of the stories, he finishes with a bit about the person involved and what happened to them later. One of the extras the reader gets is an illustration of the coin the character in the story owned, and they are all grotesque in one way or another.
Edited by Jennifer Brozek, Coins of Chaos contains seventeen of the best stories from various authors; Nathaniel Lee, Kelly Swails, Andrew Penn Romine, Jay Lake, Erik Scott de Bie, Nathan Crowder, Dylan Birtolo, Jason Andrew and Peter M. Ball. I have to admit that I flicked through the stories, and skipped the first one to take a look at the second one, “The Price of Serenity,” about Charles whose son had died in a house fire. As the fire had been his fault from the start, he has been estranged from his then wife, and, in a moment of madness he goes to see a fortune-teller at a fayre. Thinking it would be something to distract him from how bad he felt, he is prepared for the possibility she might be a fake, but when she tells him what is on his mind and what he has done before, he thinks she might have some answers.
This is one of the many stories that have a twist in the tale endings readers can enjoy as much as I did and I did think that this was one of the better anthologies Edge has to offer as the stories start back in 1913 and continue to 1928 and into the more modern day.
A Lover’s Lament
by William Morgan
I never thought the day would come when, after 25 years, that I would fall out of love with my wife, Patsy.
Pretty, not beautiful. She had this sexy laugh and deep blue eyes. That’s all it took.
We married in 1988.
She died 2013
She’s been dead a year.
I can no longer look in her eyes for they have liquefied. I can no longer kiss her for her lips have rotted away.
I can no longer…love her… for the squish, squish,gurgle sounds just disturb me.
I’ll have to put her back. The love has decomposed.
By Kenneth Faig, Jr.
Hippocampus Press, 2013
Reviewed by Sam Gafford
The term “Lovecraftian” can mean many different things to many different writers. To some, it means monstrous creatures and evil cults. To others, it can mean an examination of cosmological indifference and insignificance. More recently, some writers are taking a broader definition and including Lovecraft and his life in their interpretations. Kenneth Faig, Jr. is one of those authors.
For many years, Faig has been a leading scholar in Lovecraftian criticism and specifically in research regarding Lovecraft’s family and ancestors. What few know is that Faig is also a skilled writer of unnerving and disturbing weird fiction himself.
This book collects the majority of Faig’s fiction and it is no surprise that the bulk of it is “Lovecraftian” to greater or lesser degree. However, Faig manages to infuse a tone into his tales that is sometimes whimsical while masking a horrifying undercurrent.
Most of these stories have only seen print in Faig’s contribution to the venerable Lovecraft APA (Amateur Press Association), the EOD. For many, this is the first time they’ve had an opportunity to enjoy these tales and they are in for a treat.
Fully half of the stories belong to Faig’s series, “Tales of the Lovecraft Collectors”. Most of these stories concern the character David Parkes Boynton as he meets those who have known Lovecraft as well as others who followed the Providence writer’s works or who knew secrets of his heritage. Like many of Lovecraft’s own stories, these tales carry an uneasiness within them. They speak of strange dealings in forbidden knowledge and unknown terrors lying behind routine research. There is even the suspicion that Boynton, narrator of these events, does not escape unharmed.
The other stories in the collection are a marvelous blend of the weird and truly terrifying. “Life and Death” recalls many of Lovecraft’s early ‘classical’ tales while “The Haunting of Huber’s” concerns an occult investigator’s case of a haunted restaurant that owes as much to Rod Serling as it does to Lovecraft.
Truly disturbing, however, is “Innsmouth 1984” which finds an unwary couple stumbling onto a modern version of Lovecraft’s decaying town only to find new horrors have taken the place of the old ones. The title tale, “Lovecraft’s Pillow” is based upon an anecdote which Stephen King told during the 1979 World Fantasy Convention in Providence. Although intended as a humorous quip, Faig takes the idea and concocts a story that is at times amusing but ends up leaving the reader unsettled and uneasy with the hints of what might have come through that innocuous bedding.
“Leng” is perhaps the most terrifying tale in the book because it is so understated. There are echoes of T.E.D. Klein’s excellent “Events at Poroth Farm” as well as so many of Lovecraft’s stories of miscegenation. It shows how truly frightening it can be when others so quietly proclaim their insanity. There is no murderous cult here but the horror is no less effective.
Faig does not write often and that is a shame. In these quiet tales, he displays a mastery of form, setting and tone that few who write profusely have attained. One can but hope that there will be more tales to come of Lovecraft collectors and these strange, unsettling landscapes.