For many, Christmas is an annual celebration of goodwill and joy, but for others, it’s a time to curl up on the couch in the dead of winter for a good old fashioned fright. The festive holiday season has always included a more somber side, and scary tales of child-stealing demons to ghost stories told ‘round the fireplace go back to pre-Christian celebrations. These long-standing traditions have found modern expression in Christmas horror film and television shows, a unique and sometimes controversial subgenre that cheerfully drives a stake of holly through the heart of cherished Christmas customs.
Yuletide Terror: Christmas Horror on Film and Television, the latest book by Canadian micro-publisher Spectacular Optical, offers a definitive, in-depth exploration of the history of these subversive film and television presentations that allow viewers to engage in different ways with the complicated cultural history of the Christmas season.
Yuletide Terror collects over 20 essays and interviews that will deck your halls with insightful looks at all your festive fright favourites, including the BBC’s A Ghost Story for Christmas anthology series and contentious 1980s Santa slashers like Silent Night, Deadly Night. Unwrapping the true meaning of films featuring everyone from the Krampus and Scrooge to killer snowmen and evil elves, Yuletide Terror is a comprehensive look at TV and cinematic holiday horror from around the world, and includes a compendium including nearly 200 Christmas horror film reviews. This new anthology, set to be released for Christmas 2017, is the latest addition to Spectacular Optical’s line of cult film and pop culture books including Kid Power!, Satanic Panic: Pop-Cultural Paranoia in the 1980s and Lost Girls: The Phantasmagorical Cinema Of Jean Rollin.
Yuletide Terror features new writing by both emerging and acclaimed authors including Stephen Thrower(Nightmare USA), Kim Newman (Nightmare Movies), Caelum Vatnsdal (They Came From Within: A History Of Canadian Horror Cinema), Michael Gingold (Fangoria), Shelagh Rowan-Legg (The Spanish Fantastic), Alexandra West (Films Of The New French Extremity), Michael Helms (Fatal Visions), Andrea Subissati (Rue Morgue), Zack Carlson (Destroy All Movies!!!), Joanna Wilson (The Christmas TV Companion), Diane A. Rodgers (Cinema Retro),Andrew Nette (Pulp Curry), Amanda Reyes (Made For TV Mayhem), David Bertrand (Satanic Panic), Eric Zaldivar(Co-Writer, Django Lives!), Leslie Hatton (Popshifter), Owen Williams (Empire), Ralph Elawani (Bleu Nuit: Histoire D’un Cinéphilie Nocturne), Derek Johnston (Haunted Seasons: Television Ghost Stories For Christmas And Horror For Halloween), Neil Mitchell (Devil’s Advocates: Carrie), Chris Hallock (Diabolique), Ariel Fisher (Rue Morgue), Lee Gambin (Nope, Nothing Wrong Here: The Making Of Cujo) and Zach Clark (Writer/Director, White Reindeer), alongside co-editors Kier-La Janisse (House of Psychotic Women) and Paul Corupe (Canuxploitation).
The book also features Motion Picture Purgatory comic reviews of Christmas horror films by underground cartoonist Rick Trembles, and a cover and original illustrations by British artist Alisdair Wood.
PLUS! As part of the YULETIDE TERROR launch, we will be releasing a new Christmas horror short film made to accompany the book, written and directed by Sean Hogan (THE DEVIL’S BUSINESS) and produced by Deviant Films, the team who brought you FUTURE SHOCK! THE STORY OF 2000AD. The short filma windswept ghost story set on England’s southeastern coast called WE ALWAYS FIND OURSELVES IN THE SEAwill accompany book events throughout November/December in advance of its online premiere on Christmas Eve, as a nod to the British broadcasting tradition of Christmas ghost stories.
“Being able to make a small contribution to the Christmas ghost story tradition has me feeling like, well, a kid at Christmas,” says Hogan. “That particular juxtaposition of Yuletide cheer with the eerie and unsettling has always been a particular delight for me, and the various seasonal UK TV ghost stories that were produced over the years are still something I regularly return to for enjoyment and inspiration. I’m very much looking forward to paying tribute to a form that has continually brought me so much pleasure/fear!”