Mystery Scene online is currently running a nice feature on Edgar Allan Poe and his enduring influence by Steve Hockensmith.
Here’s a snippet … Although today Poe’s often associated with the horror genre, his tales didn’t dwell on the supernatural. Instead, they often took a psychological approach to stories of crime and tragedy. As Bayard notes, Poe seemed obsessed with obsession. “The Black Cat” and “The Tell-Tale Heart” are both narrated by psychotic killers driven to destroy themselves by guilt-fueled hallucinations. In “The Oval Portrait,” an artist becomes so fixated on finishing a painting, he doesn’t even notice that his beautiful model—his wife—is dead. And even “The Fall of the House of Usher” isn’t a ghost story, as so many readers seem to remember it. It’s about a twisted, quasi-incestuous relationship between a young woman and the brother who tries to have her interred alive.
Read the feature in its entirety here: Edgar Allan Poe