There’s a new interview with Ellen Datlow online, courtesy of Anthony R. Cardno’s Rambling On Blog.

In response to a question about having a stable of writers she turns to for her anthologies, Datlow responds: “I don’t consider having a stable of writers an negative, and it’s certainly not a limitation. It’s a fact of editing over a long period of time. One works with writers whose work one enjoys and who produces great stories –on time. So of course the editor will keep buying stories from those writers over the course of time, as long as she can –see my note in the next paragraph. I have a huge stable of writers from my seventeen years at OMNI Magazine, my almost six years at SCIFICTION, plus the twenty-five Best of the years I’ve edited.

“In every original and reprint anthology I edit there are some writers whose work I use repeatedly, but there are always other writers I’ve only rarely or never before published in my anthologies. This is especially true in my best of the year anthologies. Just in the last two years of The Best Horror of the Year I published twelve stories by writers I’d never worked with before—some of whom I’d never even read before. The crucial thing to know about writers is that they often stop writing short stories once they publish their first novel, so to me it’s important to use their best short fiction while they‘re still writing it. Very few of the hundreds of writers I published in OMNI write many if any short stories today. So yeah. I’m delighted to be able to continue to publish writers like Jeff Ford, Kathe Koja, Kaaron Warren, Laird Barron, and Richard Bowes as long as they continue to produce great stories. I’d be stupid not to.”

You can catch the entire interview here: Cardno Interviews Datlow

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